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尽管作为存在主义哲学的一个重要分支,然而海德格尔的哲学理念并非单纯的停留在存在主义的本体层次,他的美学主张在于以客观唯心主义的立场出发,强调美和艺术是绝对的象征和体现。但在此需要说明的是这并非知识学意义上的真理,亦不同于科学原理,更不是对西方传统美学的延伸。因此本文通过对海德格尔在其著作《林中路》中第一章艺术作品的本源中的分析与解读,以及部分关于海德格尔语言学说的理解来阐述海德格尔对艺术的影响与贡献,以及对当代架上绘画艺术创作的启示与指导。
Although regarded as an important branch of existentialist philosophy, Heidegger’s philosophical idea does not simply stay at the ontological level of existentialism. His aesthetic proposition lies in his objective idealism, emphasizing that beauty and art are absolute symbols and expressions . However, what needs to be clarified here is that this is not the truth in the sense of knowledge, nor is it different from the principles of science, nor is it an extension of Western traditional aesthetics. Therefore, by analyzing and interpreting Heidegger’s origin in the first chapter of Lin Zhonglu’s works and his understanding of Heidegger’s linguistic theory, this article expounds Heidegger’s influence and contribution on art, As well as the enlightenment and guidance to contemporary painting art creation.