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鲁迅的《故乡》通过烘托、对比、描写等手法,画出了半殖民地半封建社会的贫苦农民形象。作者采用“以小见大”的写作技巧,深刻反映了辛亥革命的不彻底所带来的一些社会弊端,闰土形象的塑造达到了艺术性与思想性的完美统一。
Lu Xun’s “Hometown” painted the image of a poor peasant in a semi-colonial and semi-feudal society by showing off, contrasting, and describing techniques. The author adopts the writing skills of “being small and big” and profoundly reflects some social abuses brought about by the incompleteness of the Revolution of 1911. The creation of the image of the clay has achieved the perfect unity of artisticness and ideology.