法朗士在评论美国文学时曾说,关于艺术,最大的悖论就是当人脱离他的同伴遁迹于陌生世界,却是为了更紧密地与人交流。扎西达娃进入文学史的书写倒很像是这个说法的佐证。他笔下流浪的猎手,复仇的大盗,废弃的牧场,人烟稀少的荒漠与原始森林,灵异事件,虽然令人读起来有“隔”的感觉,但恰恰是这种特殊的距离,触动了读者企图了解他所想展示的那个世界的好奇心。 Commenting on American literature, he remarked that the biggest paradox in art is that when one leaves his companion, he escapes from a strange world, but to communicate more closely with others. Tashi Diva into writing the history of literature down much like this argument. His wandering hunter, vengeful thief, abandoned pasture, sparsely populated desert and virgin forest, supernatural events, although it is read with a feeling of However, it is precisely this special distance, touched the reader Trying to understand the curiosity of the world he wanted to show.