2014年2月,第150届芥川文学奖揭晓,日本女性作家小山田浩子凭借中篇小说《陷阱》(原著名为?穴(あな)?)获得此荣誉。自该奖项颁发以来,作家小山田浩子一跃成为日本文坛内的话题人物。针对这部作品的评论文章也多了起来。这些文章评述角度各异,涉及文章的虚构性角度,该作品中所表现出的对于个人主义的否定性的角度等等。笔者试着从婆媳关系这一角度来分析这部小说。通过采用文学研究中常见的文本分析的方式,以婆媳相处为基准,按照时间的推进顺序将小说内容分为四个部分,并对各部分中描写婆媳之间日常的内容进行细致分析,总结出婆媳相处的特点。同时,也通过对文中婆媳关系的描写来分析作者的写作意图,揭示作者想要传达给读者的隐藏信息。 In February 2014, the 150th Uchikawa Literary Prize was unveiled, and the Japanese female writer Oda Yamada won the honor for his novella Trap (formerly known as Aya). Since the award was presented, writer Hiroko Yamada has become the topic of Japanese literature. Commentary on this work is also more articles. These articles comment on different perspectives, concerning the fictional perspective of the article, the negative aspects of individualism expressed in the work, and so forth. The author tries to analyze this novel from the perspective of the relationship between mother and daughter. By adopting the method of text analysis commonly used in literary studies, taking the relationship between mother-in-law and daughter-in-law as reference, the content of the novel is divided into four parts according to the sequence of time, and the detailed contents of the daily contents described in each part are summed up Mother-in-law with the characteristics. At the same time, through the description of the relationship between the mother and daughter in the text to analyze the author’s writing intent, to reveal the hidden information the author wants to convey to the reader.