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探索建筑和绘画共通的接续传统的诗意体验。最理想的创作过程是:一个想法,写一遍,画一遍,再盖一遍;智性、情感、体验浇铸成铁板一块,如此便是淋漓尽致。最近读到和“风景”有关的几本书,南辕北辙,但引我遐想,也许那些混乱的线索里能织出一张关于视看的网——为了捕捉风景。有些凌乱,梳理如下,也许对设计和思考绘画是有用的。1、《论中国诗》([日]小川环树,贵州人民出版社,2009.9)有一篇考证了“风景”一词的出现、意义和意义的变化。“风景”一词的出现,以晋代(4世纪)为最早,在《世说新语》中,
Explore the poetic experience that follows the tradition of architecture and painting. The best creative process is: an idea, write it again, draw it again, and then cover it again; intelligence, emotion, experience cast into a piece of iron, so is most vividly. Recently read and “Landscape ” several books, diametrically opposed, but lead me to reverie, maybe those clues can be woven in a clues to see the network - in order to capture the scenery. Some messy, combed as follows, may be useful for the design and thinking of painting. 1, On Chinese Poetry ([Japan] Ogawa Hori, Guizhou People’s Publishing House, 2009.9) There is a textual research on the emergence, meaning and significance of the term “landscape”. “Landscape ” the emergence of the word, with the Jin Dynasty (4th Century) as the earliest, in “Shi Shuo Xin Yu”