“歌唱即呼吸”,这是伊·舒曼自始至终的发声方法;也是她牢牢抓住的信条——指引她成功地度过全部艺术生涯的信条。 倘若某次音乐会或歌剧演出之前,当她想到某个特别困难的乐段,感到不安而怯台时,她就牢记呼吸,心中也就踏实了。她深信这会像一条健壮的臂膀一样,挽扶她通过每处险境,而决不会让她摔倒。她也将这当着一付镇静剂:站在台上等待伴奏弹着开始的几小节,她深深地呼吸几次,那扑动的心就会平静下来。 “Singing and breathing” is the method of voicing from beginning to end of Yi Schumann; it is also the credo that she firmly seized - the credo guiding her to successfully spend all her artistic career. If before a concert or opera, when she thinks of a particularly difficult passage, when she feels uneasy and does not hesitate, she keeps breathing and the mind is steadfast. She was convinced that it would be like a strong arm, helping her through every danger and never letting her fall. She also took this as a pair of sedatives: the few bars that stood onstage waiting for the accompaniment to begin its bounce, and she breathed deeply and fluttered her mind to calm down.