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技法是中国画范畴里一项被历代画家所重视的主要品评指标,所以,为了完善中国画的技法体系和推动审美对技法的定位,就应该对技法进行思考和实践。从某个角度来说,中国画是一种更偏向于用技法来表达中心思想和事物的艺术。中国画的审美主体是技法的运用和品质,并且一直传用至今。中国画只有技巧是远远不够的,最初,我们的画家是被技法带着走,发挥的不自由,到后来慢慢发展,由一点点自由发挥变成完全的自由发挥,使我们的艺术发展向更高的境界。
Technique is one of the most important evaluation criteria valued by ancient painters in the field of Chinese painting. Therefore, in order to perfect the technique system of Chinese painting and promote the aesthetic orientation of technique, the techniques should be considered and practiced. From a certain angle, Chinese painting is a kind of art that prefers to express central thoughts and things by techniques. The aesthetic subject of Chinese painting is the use of techniques and quality, and has been used until now. In the first place, our painters were not allowed to take their skills with them, they developed slowly and gradually developed from a little bit of freedom into complete freedom to make our artistic development progress toward Higher realm.