永远在行动中——谈纪录片的另类风格兼评迈克尔·摩尔《华氏9/11》

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在时下的中国,人们对于纪录片的观念似乎已转入了一个新模式。《舌尖上的中国》风靡之后,人们更加热衷于所谓现象类的纪录片,一个个选题宏大,冠与“中国”的大制作纷纷出炉。所谓纪录片越来越远离当下的社会事件,而越远离新闻越有价值越具有记录性成为纪录片创作的新圭臬和新误区。号称史上最卖座的纪录片 In China nowadays, the concept of documentary seems to have shifted into a new model. After the popularity of “China on the Tongue”, people are more enthusiastic about the documentary of the so-called phenomenal phenomenon. One after another, the grand productions of the title and the “China” have been released. The so-called documentary getting farther and farther away from the current social events, and the more valuable the more the more record-breaking information has become the new rules and new errors of documentary creation. Known as the history of the most popular documentary
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