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王水照先生谈到宋代记体文时曾说:“写景部分却往往是他们用力的重点。”北宋亭记文中,景物描写常常显示出作者强劲的笔力,作家们把“景物刻画”提升到了一个高度,在创作中表现出强烈的主体精神,在唐代亭记文“再现式”写景基础上,使景物描写成为一种表现艺术,写景即写意,人与景和谐相融,景物形象达到“天人合一”的境界是其写景的鲜明特点;主体精神的参与,结合创作者本身的创作能力,又融人文人画的因素,北宋亭记文的景物展现出独特的美学特征,它们姿态鲜活,富有气韵,洋溢着浓浓的诗情画意,也呈现出阳刚之美。
When talking about the Song Dynasty, Wang shuizhao said: “Part of the scene is often the focus of their hard work.” “In the Song dynasty, the description of scenery often shows a strong writing power. The writers portray” To a height, in the creation of a strong show of the main spirit of the Tang Dynasty Pavilion recorded “Reproduction ” based on the scene, the scene described as a performance art, writing landscape that is freehand, harmony between man and scenery, scenery The image of “harmony between man and nature” is its distinctive feature of writing scenery; the participation of subject spirit, combining with the creative ability of the creator itself and the factors of literati painting, Aesthetic characteristics, they are fresh attitude, full of charm, filled with a strong poetic, but also showing a masculine beauty.