这篇文章探索艺术的本土与跨文化这两个层面,将艺术作为一种方法,抵制艺术上一种枯燥、普遍、全球化的品位,也抵制坚守着种族身份的传统主义,我将后者称之为身份主义(identitarism)。今天艺术家们所面临的问题,是如何跨越当下普遍的认同模式,同时又要维持能够包容他者的原创性艺术行为的解放力量。我把艺术当作抵制所有类型的权力的一种力量,我的文章以北非当代造型艺术为基础, This article explores both the local and cross-cultural aspects of art. Using art as a way to resist a dull, universal, global taste in art, and to resist traditional ethnocentrism, I put the latter Call it identitarism. The problems that artists face today are how to cross the prevailing pattern of identity at the moment while maintaining the liberation forces capable of accommodating the original artistic behavior of the other. I see art as a force that resists all kinds of power, and my essay, based on contemporary modeling art in North Africa,