凡人物画,张翔洲先生似乎均有涉及:古人今人、工笔写意、高士仕女、版画速写。其描真图,惟妙惟肖,栩栩欲活,绘声绘色,可乱楮叶。这些人物,皆现实中的活现。市井中的小民,喜怒哀乐形于表,柴米油盐役之骸,或街坊邻里,或亲朋好友,表现熟悉,比之不熟悉,更为难当,也最易评判。其作全然西画理念,透视阴影俱备,若不见衣帽配景处的写意笔触、边角空白处的 Where the portrait painting, Mr. Zhang Xiangzhou seems to have involved: the ancients today, freehand brushwork, Coats ladies, print sketch. Its pictorial map, lifelike, lifelike, vivid, chaotic leaves. These characters are all vivid in reality. Small market in the well, like the anger and sorrow on the table, the Miaoyouyanyan bones, or neighbors, or relatives and friends, the performance of familiar, unfamiliar, more difficult, but also the most easy to judge. Its overall concept of Western painting, perspective shadow of the equipment, if not visible at the cap with a brush strokes, blank corner