无论怎样的笔,在触纸运动时都会产生有轻重疾徐、提按顿挫之变化的线条。在西方古典绘画的造型观念中,线是面的交界。在重实证的西方人眼中,不存在独立的、游离于面的线,每一笔都是为塑造形体服务的,西方画家主动表现线条独立的审美意义的意识虽然并不强烈,但我们观赏那些西方大画家的素描、速写稿时,仍 No matter what kind of pen, in the paper movement will have a serious illness, mention the change of frustration line. In the western concept of classical painting, the line is the surface of the junction. In the eyes of the reputable Westerners, there is no independent line of dissatisfaction, each of which serves the purpose of shaping the body. The awareness of western painters taking the initiative to express the aesthetic significance of independent lines is not strong, but we can see those Sketch of the Western big painter, sketched, still