论文部分内容阅读
中国山水画发展到“元四家”的时代达到了高峰,在“元四家”之中,倪瓒与王蒙的山水画可谓元画之中简与繁的极致。倪瓒的山水画萧疏淡泊,王蒙的山水画则多为密体繁笔。文章对二者的图式进行比对,并从倪、王二人的生活情境、师承、个性及价值取向等几个方面展开分析,探寻这种图式差异形成的原因。
The development of Chinese landscape painting has reached its peak in the era of “Four Elements”. Among the “Four Elements”, the landscape paintings of Ni Zan and Wang Meng are the most simple and the most elaborate in Yuan Painting. Ni 瓒 Xiao Shu indifferent to the landscape painting, Wang Meng’s landscape paintings are mostly dense Fan. The article compares the schemata of the two, analyzes the reasons of the differences between Ni and Wang’s life, teacher-centeredness, personality and value orientation.