单:作为现代艺术馆馆长,您在成都对当代艺术做了很多建设性的工作,比如“成都双年展”。这是私人企业介入当代艺术非常好的一个案例,也是一件比较成功的事件。在您之前有个“上河美术馆”。但是它已经消失了。可不可以谈一下,您以私人资金介入当代艺术这个领域,连续运作这三届“成都双年展”的经验和得失?邓:我的想法很简单,专业的事交给专业人士去做。单:我做这个专题已经采访了一些人,想听听您的意见? Single: As the curator of the Museum of Modern Art, you have done a lot of constructive work on contemporary art in Chengdu, such as Chengdu Biennale. This is a very good case of private enterprises involved in contemporary art, but also a more successful event. Before you have a “Shanghe Art Museum”. But it has disappeared. Can you talk about your involvement in the field of contemporary art with private funds, the continuous operation of these three “Chengdu Biennale,” the experience and gains and losses? Deng: My idea is very simple, professional things to professionals to do . Single: I have interviewed some people on this topic, would like to hear your opinion?