近些日子,我一直在想:在当代艺术的发展过程中是不是需要确立一个更为多元、更为宽容的立场?例如我们对待唯美主义的态度。在中国现代主义狂潮冲击下的八十年代,我们曾经将唯美主义拒之门外,视之为异类,报以十分鄙夷的眼色,甚至不屑一顾。可是我们却并不真正懂得唯美主义本身的一些特质,包括其审美价值。我们更不乐意去接受一个事实,历史上的唯美主义思潮也正是现代主义的催生婆之一。可后来的事实却是:现代主义反过来“出卖” 了唯美主义！如今,现代主义的狂潮已在中国 In recent days, I have always wondered: Is it necessary to establish a more pluralistic and more tolerant position in the development of contemporary art, such as the way we treat aestheticism? In the 1980s, under the impact of the tide of modern Chineseism, we turned away the aestheticism and regarded it as alien, with a very contemptuous glance, even disdainful. However, we do not really understand some qualities of aestheticism itself, including its aesthetic value. We are less willing to accept the fact that the historical trend of aestheticism is precisely one of the birthstars of modernism. The fact is later: modernism in turn “betrayed” aestheticism! Nowadays, the craze of modernism is already in China