其实,我似乎没有资格谈论这样的问题,本人是盗版最大的受益者也因为盗版的泛滥我们才从专家和伪专家那里夺回了话语权,我们也因此看见了大量中国电影理论家文字的不着边际,这不仅是中国的问题,除了乔治·萨杜尔的《世界电影史》比较靠谱之外,其他都有一些显而易见的错误,当电影从文本阅读变成影像观看而言,我们确实知足。 Actually, I do not seem to be qualified to talk about such issues. I am the biggest beneficiary of piracy. Because of the proliferation of piracy, we have regained the right of speech from experts and pseudo-experts. Therefore, we also see a large number of Chinese film theorists have no choice This is not only a problem for China. Apart from George Sadul’s “World History of Cinema”, there are some obvious mistakes. When the movies are read from text reading to video viewing, we are truly content.