中国古代诗学批评在诗歌创作发生论上,十分注重自然界景物的变化对诗人创作的触动和感发作用;在对诗歌文本的分析上,往往将一首诗视为一个完整的生命有机体,以人体各要素或动植物生长规律来喻说诗歌创作原理;在诗歌风格的品评上,大多以自然风物或各种自然情境来描述性地勾画诗歌风格,并由于崇尚自然的观念而形成了以自然清丽为工的批评传统。这些都显示了中国古代诗学批评与“自然”之间的不解之缘。 In the theory of poetic creation, ancient Chinese poetic criticism paid great attention to the touching and sensational effects on the poet creation caused by the change of the natural scene. In the analysis of the poetic text, a poem was often regarded as a complete organism of life. The elements of the human body or the laws of the growth of animals and plants metaphorical poetic creation theory; in the style of poetry, most of the natural landscapes or a variety of natural situations to describe descriptively poetic style, and because of the concept of nature to form a natural Clean tradition of criticism of workers. All of these show the indissoluble bond between ancient Chinese poetic criticism and “natural ”.