曹操不仅是重要的历史人物,而且也是重要的戏剧人物和艺术的典型形象。因此,如何评价曹操问题的讨论,也势必涉及到对传统戏剧中曹操形象的看法。在这次学术界开展的关于曹操评价问题的论争中,我读到了景孤血同志的交章,他根据元人杂剧十一种,认为在这些剧中有的把曹操处理成正面人物,有的则处理成反面人物,可说是“毁誉参半”。在这里,景孤血同志虽然没有再作阐发,没进而谈到正个元三国杂剧的 Cao Cao is not only an important historical figure, but also an important representative figure of dramatic characters and art. Therefore, the discussion on how to evaluate the issue of Cao Cao also involves the view of the image of Cao Cao in traditional drama. In this academic debate on the issue of evaluation of Cao Cao, I read the chapter of King Goggles. According to the eleven kinds of Yuan drama, he thought that in these dramas Cao Cao was handled as a positive figure in some of these dramas. Is handled as a negative person, can be described as “mixed.” Here, although King ghost blood no longer elucidate, did not talk about the Yuan Dynasty drama