“我第一次看到吉儿·阿卡贝兹的作品是在1998年,当时他正在为汤姆·提克威的电影《罗拉快跑》制作动画。我对那些连续的动画感到很好奇,于是决定进一步了解他的作品。渐渐地,我知道了很多有关吉儿·阿卡贝兹电影的事情。后来,我在瑞士卢塞恩召开的一次动画会议上见到了他。在会上,吉儿·阿卡贝兹雄辩地指出动画艺术具有无限的潜 ”The first time I saw Jill Acabez’s work was in 1998, when he was animating Tom Tucker’s movie“ Rolla Run ”, and I was curious about those continuous animations And decided to learn more about his work, and gradually, I knew a lot about the movie about Kear Akabets, and later I met him at an animated meeting in Lucerne, Switzerland, where Kat Acabez eloquently pointed out that animation art has an infinite potential