论文部分内容阅读
传统的写作理论认为,作家之所以成为作家,主要是因为他 们以形象思维(或表象思维、灵感思维等)建立起了一套独特的 话语方式。这种说法不能说不正确,但是,它的意义似乎仅仅表 现在作家的思维方式与从事哲学、科学研究等人的思维方式的区 分上。而且,当人们试图对作家的心理活动作出某种考察时,它 又很容易使人停留于作家思维的共性层面,从而忽略了作家面对 不同文体时所具有的个性化思维。
The traditional writing theory holds that the reason why writers become writers is mainly because they have established a unique way of discourse with the image of thinking (or the appearance of thinking, the inspiration of thinking, etc.). This can not be said to be incorrect, but its meaning seems to be only manifested in the distinction between the writer’s way of thinking and the way of thinking of those engaged in philosophy and scientific research. Moreover, when people try to make some kind of investigation on the writer’s psychological activity, it is easy for people to stay at the common level of the writer’s thinking, thus ignoring the individualized thinking that the writer has in facing different styles of writing.