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新闻摄影最可贵的品质首先在于它的真实性。真实性是新闻摄影最基本的原则。而在注意真实性的同时,新闻摄影还必须注意它的典型性问题。在新闻摄影中,典型性与真实性是一对孪生兄弟,本应形影不离,而在近年来出版的新闻摄影理论著作或研究论文中却较少关于典型性的论述。这种忽视典型性的倾向,值得新闻界深思。 在摄影中,典型性主要是指典型瞬间的选择。选择典型瞬间是摄影创作最基本、最常规的手段。没有典型瞬间,摄影也就成了单纯的技术手段,而无艺术或审美的价值可言。事实上,从摄影在中国传播以后,中国的有识之士已经看出典型选择手段对于摄影的重要。1934年2月,《晨风》第三集发表沈新三《美术摄影浅说》一文,文中说,在摄影中,“除静物外,景物随时演变。苟不当机立断,则机会不再,稍纵即逝,将贻后悔于无穷。”又说,“摄影贵在当机立断,不容迟疑而致失去至美至妙之一刹那。盖认清目的之后即应静待快门一拨机会之至。”这里实际上已涉及摄影的典型性问题。1936年9月王洁之在《飞鹰》
The most valuable quality of news photography lies above all in its authenticity. Authenticity is the most basic principle of news photography. While paying attention to authenticity, news photography must also pay attention to its typical problems. In photojournalism, typicality and authenticity are twins, which should have been inseparable from each other. However, there are relatively few typical examples in journalistic works or research papers published in recent years. This tendency to neglect the typicality is worth the media’s deep consideration. In photography, typical refers to the typical moment of choice. Select the typical moment is the most basic photography, the most common means. No typical moment, photography has become a purely technical means, but no art or aesthetic value at all. In fact, after the spread of photography in China, people of insight in China have already seen the importance of typical means of choice for photography. In February 1934, the third episode of “Morning Breeze” published a paper entitled “Fine Art Photography” by Shen Xin-san. In the photo, “In addition to still-life, the scenery evolves at any time. , Will be rich later regrettable in the infinite. ”And said,“ photography is decisive, can not be underestimated caused the most wonderful moment of aesthetically .Should recognize the purpose of the shutter should wait for a chance. ”Here actually Typical issues involved in photography. September 1936 Wang Jie in the “Eagle”