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本文对斯特拉文斯基序列音乐中的横向运动及纵向结构写作手法进行了研究。重点论述了斯特拉文斯基在序列技法的采纳和应用上与古典十二音技法的差异;并指出斯特拉文斯基的序列在音乐中多作为主题意义出现,具有强烈的调性感和旋律感;序列音纵向结合的和声音响材料使用较少;序列技法的应用与复调模仿手段和动机性发展的结合,使序列音乐得到了很大的发展,形成了自己独特的创作风格。
This paper studies the horizontal movement and longitudinal structure of Stravinsky’s sequence music. It focuses on the differences between Stravinsky and the classical twelve-syllable technique in the adoption and application of sequence techniques. He also points out that Stravinsky’s sequence appears mostly in the music as the theme and has strong tonality And the sense of melody; sequence sound longitudinal combination of the use of harmonic sound materials less; sequence techniques and polyphony imitation and motivation of the combination of development, the sequence of music has been a great development, formed its own unique style of creation .