论文部分内容阅读
新时期以来,工笔重彩画的复兴,深刻地改变了数百年来中国画坛“独尊水墨”的局面。经过廿余年的积累和发展,越来越多的中青年画家加入到工笔重彩画创作的行列,逐渐形成一支可以与水墨画创作力量相对垒的庞大阵容。就工笔重彩画自身的情况来看,也初步形成丁多角度多层面探索发展的格局:有的画家致力于工笔重彩、工笔淡彩、没骨、线描等传统品种的现代重振,吸收远古中国画传统的营养以表现当
Since the new period, the rejuvenation of meticulous painting has profoundly changed the situation in which the Chinese painting and calligraphy “respected ink and wash” for hundreds of years. After more than 20 years of accumulation and development, more and more middle-aged and young painters have joined the ranks of the heavy tonal painting and gradually formed a huge lineup that can be opposed to the creative power of ink painting. With regard to the situation of self-coloring and self-painting, a multi-perspective exploration and development pattern has also been formed initially. Some painters are devoting themselves to the modern revitalization of traditional varieties such as meticulous work, painterly work, no bone, and line drawings to absorb ancient Chinese paintings Traditional nutrition to behave when