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以汉代画像石为代表的新的艺术风潮是先前艺术成就的总结和发展,更是以往思想意念于汉王朝大一统格局相适应、变形乃至重新组合后的产物。本文从内容、气势、构图三方面对汉画像石所展示的儒、楚风尚进行一般的揭示,并对汉画像石儒、楚特点产生的哲学背景作粗浅的阐述,以供学术界参考。一、内容:功利和神幻功利主义是儒学的一个重要特点。周到先生曾指出:“儒学是不作任何玄想的把原始文化纳入实践理性的统辖之下,再把理性贯彻到社会生活、伦常情操、政治生活中,是一种现实功利主义的说教。”蒋英炬先生将与
The new wave of art, represented by stone figures in the Han Dynasty, is the summary and development of previous artistic achievements. It is also the product of the conformity, deformation and even reorganization of the ideology and ideology in the Han Dynasty. This article generally reveals the Confucianism and Chu customs displayed by the Han Dynasty statues stone from three aspects of content, imposing manner and composition, and also elaborates the philosophical background of the Han Confucianism and Confucianism, for the academic reference. First, the content: utilitarianism and illusion utilitarianism is an important feature of Confucianism. Thoughtful Mr. once pointed out: “Confucianism does not make any mystery of the original culture into the under the jurisdiction of practical rationality, then the rational implementation of social life, ethics, political life, is a utilitarian preaching.” Jiang Yingju Will