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国民书写和国民文化素质提升《中国书法》:今天的访谈,我想主要立足于从当代大文化时代背景中,挖掘你的书法创作理路以及你所主导的安徽书法的三十年发展脉络。在这个脉络之下,你对当代书法有怎样的整体概观,你对当代书法与古代书法之审美异同点有怎样的分析;另一方面,在当代书坛,你的身份是比较特殊的,既是一名在创作上尤其是草书创作上有着突出
National Writing and Improvement of National Cultural Quality “Chinese Calligraphy”: Today’s interview, I think, is mainly based on three decades of development of your calligraphy creation theory and the calligraphy you lead in Anhui Province from the background of contemporary large-scale culture. Under this context, what is your general overview of contemporary calligraphy, what is your analysis of the aesthetic differences between contemporary calligraphy and ancient calligraphy; on the other hand, your identity is rather special in contemporary calligraphy circles, A creative writing, especially cursive has a prominent