主旋律电影能否赢得币场？这是摆在今天的中国电影工作者面前的一道新课题。近年来，许多“主旋律电影”题材虽好，但不卖座，群众不愿看，这就不仅无法获得经济效益，而且无法教育群众，实际上连社会效益也没有。那么，“弘扬主旋律，坚持多样化”究竟是不是一句自相矛盾的空 Can the main theme film win the market? This is a new topic for Chinese film workers today. In recent years, many themes of the “main theme film” are good, but they are not sold on the block and the masses do not want to see it. This not only fails to gain economic benefits but also fails to educate the masses. In fact, there are no social benefits. So, “Carrying forward the theme and insisting on diversity” is not a paradoxical contradiction