李象群的雕塑艺术，多年来一直位于中国雕塑的前沿。与各种“风尚”保持一定的既不“从众”亦不“随众”的间离，又无随“思潮”起落不定的摇摆与失衡。对应当下中国雕塑界“多元”并置，原本属性各异的“文化”语意混淆、时间错位，而导致的“游离”、“失语”等等莫衷一是的 Li Xiangqun’s sculpture art has been at the forefront of Chinese sculpture for many years. With a variety of “fashion” to maintain a certain neither neither “follow the crowd” nor “follow the crowd”, but also with the “trend of thought” ups and downs of swing and imbalance. Corresponding to the contemporary Chinese sculpture “multivariate” juxtaposition, originally the different attributes of “culture” semantic confusion, time misplaced, which led to the “free”, “aphasia” so inconsistent