华裔美国女作家伍慧明的处女作《骨》(Bone,1993)因揭示了民权运动、女权运动背景下的美籍华裔女性寻求文化身份的苦痛历程而备受关注。本论文试图以霍尔的身份流变论为理论工具,探讨《骨》中女主人公莱拉不断找寻中西两种文化中的契合点,在经历依家、离家及融家三个阶段后,最终成为了理想中的现代华裔女性形象。 Chinese American writer Wu Huiming’s debut novel Bone (1993) has drawn much attention for revealing the painful course of Chinese-American women seeking cultural identity under the civil rights movement and the feminist movement. This thesis attempts to use Hall’s theory of identity as a theoretical tool to explore the “bones” heroine Leila constantly find two Chinese and Western culture in the meeting point, after going through three stages: according to home, away from home and financial family, Eventually become the ideal of modern Chinese female image.