从一个小事说起,我1940年认识沈浮先生,以后五十年,却从未听到过和我同辈的称呼过他为“先生”或“厂长”的,总是叫他“沈大哥”,这与他为人的宽宏、真诚而又无比善良不可分,他从来是与人为善的,在艺术上尊重甚至鼓励别人反对他。找他谈剧本,他总是把你写的人物、情节海阔天空地大加发挥,说得眉飞色舞,好象是在谈他自己的作品。到最后又总用这么一句话收场,“我随便讲讲,该怎么写,随你呗!”其实他何尝随便,他是从 Speaking of a small matter, I met Mr. Shen Fu in 1940, and in the next fifty years, I never heard of my peers calling him “Mr.” or “Director” and always called him “Shen Brother” , Which is inseparable from his magnanimous, sincere and incomparable goodness. He has always been kind-hearted, respected artistically and even encouraged others to oppose him. Find him to talk about the script, he always wrote the characters you plot to add to the vastness of the sky, put it vivid, as if talking about his own work. In the end and then always use such a sentence, “I casually talk about how to write, chanting you!” In fact, he tried casually, he is from