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文明新戏“甲寅中兴”是早期话剧研究中的空白点,从《申报》剧评的角度切入不失为一个有新意的角度。关于“甲寅中兴”的起止时间,一直是个模糊的概念。搜索《申报》剧评可知,“甲寅中兴”应该以1913年9月为起点,至迟到1915年2月初止。这时期《申报》上刊载的剧评,有将近百篇,从中能探测“甲寅中兴”时期文明新戏的发展轨迹。“甲寅中兴”时期,家庭剧、宫廷剧盛行,最有代表性的文明新戏社团是新民社、民鸣社、春柳剧场。与辛亥革命高潮时期相比,“甲寅中兴”时期的文明新戏社会教育功能有所减弱,娱乐性、写实性有不同程度加强,呈现出特有的剧场风貌,这与文明新戏转型为商业化演出后,必须面对市场,重视观众接受是分不开的。
The new drama of civilization “Jiayin ZTE ” is a blank point in the study of early drama. From the point of view of drama critics, it is a new point of view. On the “Jiayin ZTE ” starting and ending time, has always been a vague concept. Search “Shenbao” drama review shows that “Jiayin ZTE ” should be September 1913 as a starting point, as late as February 1915 early. During this period, “Shen Bao” published on the drama review, there are nearly a hundred, from which you can detect “Jiayin ZTE ” period of civilization and new development trajectory. “Jiayin ZTE ” period, family drama, court drama prevalent, the most representative civilized new drama community is the Xinmin She, Min Ming She, Chun Liu Theater. Compared with the climax of the Revolution of 1911, the social educational function of the civilized new play during the “Jiayin ZTE” period weakened somewhat, and the entertaining and realistic features were enhanced to varying degrees, showing a unique style of the theater. This is in line with the transformation of the new civilization of civilization For the commercial performance, we must face the market, emphasis on audience acceptance is inseparable.