康德《判断力批判》中的审美判断力批判包含美的分析和崇高的分析,在美的分析论里,康德通过质、量、关系、模态四个方面的分析,得出美的无功利的令人愉悦性、无概念的普遍性、无概念的必然性、无目的的合目的性等性质,从而形成了其矛盾着的美学观,为后世美学提供了很多的启示。 Kant’s critique of aesthetic judgment in Critique of Judgment includes the analysis of beauty and the sublime analysis. In the analysis of beauty, Kant’s analysis of the four aspects of quality, quantity, relations and modalities leads to the conclusion that beauty has no utility Pleasure, universality of no concept, inevitability of concept, purposefulness of purposelessness and so on, thus forming its contradictory aesthetics view and providing a lot of enlightenment for later aesthetics.