王国维说:“论真正之戏曲,不能不从元杂剧始也。”~([1])而女性在戏曲作品中大放异彩、占据重要地位亦是始自元杂剧。“元杂剧或旦或末一人主唱的体制,使元杂剧在体制上有了明显的性别色彩,女性人物成为主要描写对象有了体制的保障。”~([2])在明清时期,由于“女子无才便是德”等传统观念的影响,多数女子难以接触到其他文学艺术样式,阅读戏曲作品和观赏戏曲演出便成为女性 Wang Guowei said: “On the real drama, can not but start from the Yuan Dynasty drama.” ~ ([1]) And women shine in the opera works, occupy an important position also began from Yuan drama. “Yuan drama or Dan or the end of the lead singer system, so that the Yuan Dynasty drama in the system has a clear gender color, female characters become the main description object with the system of security. ” ~ ([2]) in the Ming and Qing Dynasties Due to the influence of traditional concepts such as “woman is nothing but virtue,” most women find it hard to come into contact with other literary and artistic styles and become female if they read drama works and watch opera performances