乐评,即音乐评论之简称,原本是一种专业性很强的工作,需要集音乐学、美学和文学等多种学问于一身者方可介入,乐门之外的人是很难插言的,但随着流行音乐的普及,乐评所包括的范围却扩大了,从原来音乐评论的单一概念,分化成了作品、乐人和乐事三个内容。因此,能够参与乐评的人便逐渐多了起来,读者面也广了,从“乐人写乐评,乐评乐人读”的小圈子,扩展成了几乎是“人人写乐评,乐评人人读”的大范围。 之所以能有更多的人参与写乐评,实际上多半只针对流行音乐范围内的乐人、乐事发表些看法,说得更确切些,也不过对流行歌坛上的人和事谈一点个人的皮毛之见,如果也能算得上是乐评的话,仅属于通俗乐评的范围,对严肃音乐(特别是交响乐)来说,一般人仍然保持敬而远之的 Music criticism, the abbreviation of music criticism, was originally a highly specialized work that required interdisciplinarity in a variety of scholarships such as musicology, aesthetics and literature. However, with the popularization of pop music, the scope of music criticism has expanded. From the single concept of music commentary, it has been divided into three parts: works, musicians and music. Therefore, those who can participate in music criticism will gradually get more readers are wide, from the “musicians to write music reviews, musicians read music,” the small circle, expanded into almost “everyone wrote music evaluation, Music everyone read ”wide range. The reason why more people can participate in writing reviews, in fact, mostly for musicians within the pop music, music made some comments, to be more precise, but also on the pop music people and things to talk a bit personal Of fur opinion, if it can be regarded as a music critique, only belong to the scope of popular music evaluation, for serious music (especially symphony), most people still stay at arm’s length