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现代中国文学以小说、诗歌、散文、戏剧四大文类构成的纯文学格局,取代了中国传统的杂文学格局。在现代文学格局的形成过程中,小说和戏剧因其语言的通俗化最符合启蒙大众的要求,故最受青睐,从而跃居文学的核心位置;诗歌和散文则因其语言的艰深晦涩而丧失其固有的中心地位。在中国文学的现代转型中,小说和散文的成就之所以高于诗歌和戏剧,是由于小说和散文较好地继承了传统的语言形式,而诗歌和戏剧则背离了传统的语言形式,又没有找到适合现代汉语特性的语言形式。
The purely literary form of modern Chinese literature, which consists of four major genres of novels, poetry, prose and drama, has replaced the traditional pattern of Chinese essayology. In the process of the formation of modern literature, novels and novels are the most popular because of their popular language, which is most popular with the enlightened masses, thus falling into the center of literature. Poetry and prose are lost due to the obscure language. Its inherent centrality. In the modern transformation of Chinese literature, the reason why the success of novels and prose is higher than that of poetry and drama is that novels and prose inherit well the traditional forms of language while poetry and drama deviate from the traditional forms of language, Find a language that fits the characteristics of modern Chinese.