作为“革命加恋爱”小说创作风潮的始作俑者,蒋光慈这位作家所得到的评价一直不高。事实上,这很可能是因为研究者未能将其小说置放在其相对应的脉络进行解读。本文意在论证,蒋光慈最成功的作品《冲出云围的月亮》,乃是对茅盾《蚀》的《追求》所作出的逆写。只要一离开这个独特的情境,就无法理解这部小说的价值,乃是一种回应后革命语境的策略性书写。而这种逆写之所以成为可能,乃缘于蒋光慈对苏俄的新写实主义及未来主义的挪用。 As the initiator of the wave of revolution and love novel creation, Jiang Guangci, the writer, has received a low rating. In fact, this is probably because researchers failed to interpret their novels in their contexts. This article is intended to argue that Jiang Guangci’s most successful work, “The Moon Out of the Clouds,” is a reversal of the “pursuit” of Mao Dun’s “eclipse.” As long as one leaves this unique context, one can not understand the value of the novel but a strategic writing of the post-response revolutionary context. This reverse writing was made possible by Jiang Guangci’s appropriation of Soviet neo-realism and futurism.