2003年诺贝尔文学奖得主库切的小说《耻》以库切的故乡南非作为背景而展开,但并不仅仅局限在对这个地方的历史和今天状况的诠释,他更多的是站在一个跨越时空界限的制高点上反思和拷问世界的主体变化。本文试图用拉康的“镜象阶段”所产生的“主体”与“他者”的概念来分析小说中人物的和谐与矛盾,揭示在后殖民地的南非,白人与黑人地位及身份的转化。 In 2003 Coach’s novel Shame, the Nobel Prize winner in literature, was based on his native South Africa, but it was not limited to the interpretation of the history of the place and of today’s situation. He is more of a standing man The main changes that reflect and torture the world across the commanding height of the time and space boundaries. This article attempts to analyze the harmony and contradiction of the characters in the novel by using the concept of “subject ” and “the other ” produced by Lacan “Mirror Stage ”, revealing that in the postcolonial South Africa, whites and blacks Status and identity of the conversion.