宋代陶模艺术作为文化交流的符号,其设计观念受制于“礼”的规范,因而,造型必然会在某些方面体现“德”这一社会的、民俗的、信仰的、伦理的和哲学的综合观念,陶模作为物质化的民俗,其造型设计观和功能价值是通过体现其综合观念得以实现的。 As the symbol of cultural exchange in the Song Dynasty, its design concept is subject to the norm of “courtesy”. Therefore, the modeling is bound to reflect “morality” in some aspects such as “morality”, folklore, belief and ethics And philosophical concept of Tao mold as materialized folk custom, its modeling design concept and function value is realized through its comprehensive concept.