论文部分内容阅读
艺术生产离不开艺术消费,艺术消费者——即本文中中国当代艺术的接受者,作为使整个艺术创作得以完全的最后环节,同样是研究中国当代艺术的重要方面。本文选择20世纪80～90年代中国艺术所面向的三种艺术接受者——西方群体、批评界和普通大众进行考察,分析它们各自的地位及影响,探讨接受者在整个当代艺术中的作用。透过这些考察,联系中国当代艺术的现状和处境,反思中国当代艺术策略中接受者的价值。
The production of art is inseparable from the consumption of art. The consumer of art - the recipient of Chinese contemporary art in this article - is also an important aspect of studying Chinese contemporary art as a complete last step in the whole art creation. This article chooses three kinds of art acceptors facing Chinese art in the 1980s and 1990s: Western groups, critics and the general public to conduct an investigation, analyze their respective status and influence and explore the role of the recipients in the whole contemporary art. Through these investigations, we can relate the status quo and situation of Chinese contemporary art and reflect on the value of the recipients in the strategy of contemporary Chinese art.