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中国当代艺术用了三十年的时间演习了西方美术一百年的历史。在这个过程中,写实油画可以作为一个颇具代表性的研究对象,艺术家从单纯的技法学习、对美的再造,转变到抒发个人情感和表达个人感受上来,写实更多地成为一个手段。所以“写实绘画”这个概念有必要做出修正,因为它在新的时代环境中,在新的画家创作中已经有了新的变化。从油画语言的“本源”和油画内涵的“本质”出发,吸收西方油画精华,融入本土深厚的文化内涵,将中华民族特有的审美遗韵巧妙地灌注其中,已经并将是中国写实绘画的主流发展道路。
Chinese contemporary art took thirty years to exercise a hundred years of Western art history. In this process, realistic oil painting can serve as a representative object of study. Artists are more and more a means of learning from mere technical learning, the re-creation of beauty, the expression of personal feelings and the expression of personal feelings. Therefore, the concept of “realistic painting” needs to be revised because it has undergone new changes in the creation of new artists in a new era environment. Starting from the “origin” of the oil painting language and the “essence” of the oil painting, it absorbs the essence of western oil painting and integrates the profound cultural connotation of the native land into which the unique aesthetic charm of the Chinese nation is skillfully infused. It has been and will be China The mainstream development of realistic painting.