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面对着国与国的藩篱被日益拆散的全球化时代,由国家或语言所界定的不同文化科属间的差异日渐模糊。置身于这种“宏大叙述”濒临瓦解的“后现代”困惑之中,对国外戏剧发展史作当代视角下的回眸一瞥,深具反思、借鉴与警醒的价值。煌煌一部外国戏剧史——西欧、东欧、南亚、北美……其中可歌可颂、可思可考、可疑可惑、可学可鉴者史不绝书。可掬一英、可析一缕,均可春风化雨、香飘学苑。
In the era of globalization, in which the fence between the State and the State is being increasingly dismantled, the differences among the different cultural families defined by the state or the language are diminishing. Exposure to this “grand narrative” is on the brink of collapse in the “postmodern” confusion, the history of the development of foreign drama under the perspective of a contemporary look at a glimpse of deep reflection, reference and vigilance of the value. Huang Huang A history of foreign drama - Western Europe, Eastern Europe, South Asia, North America ... ... Among them, the song can be praised, thinkable and testable, suspicious confusing, can learn from the history of the book. Can 掬 a British, can analyze a ray of change, can be spring breeze, fragrant floating academy.