郑怀兴的《神马赋》为戏曲文学中罕见的气氛诡异、主题多义、结构复杂的作品。它以神马为篇名,但神马始终都未露出真容,仅有一次,是出现在李芳娘的梦境中,虽然呈现于舞台,但那已是李氏的心像了。心像是主观的产物,是缥缈朦胧的。老乳娘和仆人阿九对神马也有过描述,但仅限于间接的言说,且幻觉和有意编造的嫌疑很大,也是主观的,神马真身并未显露。 Zheng Huai-xing’s “Shen Ma Fu” is a rare and unusual atmosphere in opera literature with the theme of polysemy and complicated structure. It is the title of the god horse, but the god horse has never revealed the true content, and only once appeared in the dream of Li Fangniang, although presented on the stage, but it is Lee’s heart like. Heart is like a subjective product, is obscure faint. The elder mother and servant, Aguirra, also described the gods and horses, but they were limited to indirect speech. They were suspicious of hallucinations and intentional fabrication and were also subjective and did not reveal themselves.