在繁花锦簇的词学世界里,活跃着众多多情妩媚的女性形象。她们或为“人比黄花瘦”的侯门思妇,或为“垆边人似月”的小家碧玉,或为“记得小萍初见”的歌姬舞女,群芳尽现,妖娆无比。作为领一代风骚的文坛领袖,欧阳修的此类词作,大多以体谅与同情的态度描写女性,把女性作为自身命运的代言者,寄托着宦海浮沉的身世之感。王国维认为“词之雅郑,在神不在貌。永叔、少游虽作艳语,终有品格”。欧阳修继承了中国传统的“男子作闺音”的 In the blossoming Ci-poetry world, many lively and feminine images of women are active. They or as “people than the yellow thin” Hou Men think of women, or for the “Pianren like months” Xiaojiabiyu, or as Very enchanting. As the leading literary leader in the generation, Ouyang Xiu’s most often used these words to describe women in a sympathetic and sympathetic manner. As a spokesman for their own destiny, women are entrusted with the sense of life experience in the world. Wang Guowei think “word Ya-Zheng, in God is not appearance .Yellow, less travel although Yan Yan, eventually have character ”. Ouyang Xiu inherited the traditional Chinese “man as Boudoir”