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提到学习语言艺术,有的人容易作如是想:这是文学家的事。文学是语言的艺术,文学家当然比任何人都更需要掌握语言艺术;然而,掌握语言艺术,不仅对文学家是重要的。语言“是思想的直接现实”(马克思),“是一切事实和思想的外衣”(高尔基)。任何思想,只有当它找到合适的“外衣”,用准确清晰的语言表达出来时,才能成为现实的思想,才能为别人所理解和接受。理论工作者是科学思想的收集者、加工者,创造者和传播者;为了准确地表达思想,有效地宣传真理,不致于“文不逮意”,理盛文衰,决不可不讲究这种“外衣”,忽视语言艺术的修养。语言是文学家的武器,也是理论家的武器。这个武器越好,越精锐,理论就越有力量。高尔基说:“作为一种感人的力量,语言的真正的美,产生于言辞的准确、明晰和动听。”
When it comes to learning the art of language, some people easily think like this: This is a matter of a writer. Literature is the art of language. Literary artists, of course, need to master language arts more than anyone else. However, mastering language arts is not only important to writers. Language is “direct reality of thought” (Marx), “a cloak of all facts and ideas” (Gorky). Any thought can be understood and accepted by others only when it finds the right “cloak” in an accurate and clear language. Theoretic workers are the collectors, processors, creators and communicators of scientific ideas. In order to accurately express their ideas and effectively promote the truth, they should not “fail to grasp the meaning of the article” Coat “, neglect the cultivation of language arts. Language is a writer’s weapon, but also a theorist’s weapon. The better and more sophisticated this weapon is, the more powerful the theory is. Gorky said: ”As a touching force, the true beauty of language arises from the accuracy, clarity and aura of words."