饱尝着家园沦丧的痛感,亲历着女性的种种磨难,使沦陷时期东北女作家的第一声歌唱便呜咽着绵长的痛楚。这一绵长的痛楚与当时作为文学主导模式的民族主义话语及男性书写所裹挟着的阳刚、浪漫、诗意相背离。正是这一背离使人们对东北沦陷时期女作家的写作存在着双重的误读:要么为 Full of the pain of home decay, witnessed the suffering of women, so during the fall of the northeast woman writer sings the first sobbing long pain. This lingering pain deviates from the masculinity, romance, and poetic power that were then clouded by the nationalist discourse and male writing that were then dominant modes of literature. It is this departure that has led to a double misreading of the writing of the women writers in the period of the Northeast China’s occupation: either