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以西方为中心的传统艺术史书写范式,愈发难以适应当今全球一体化的文化艺术发展现实,其势必被更具广泛意义的“全球艺术史”所替代。刘悦笛的新著《世界又平又美》,以一种全球性的广阔视野尝试进行“艺术史”的当代建构;同时立足于当今“审美日常生活化”和“日常生活审美化”的全球性社会文化景观,扬弃日渐失效的康德“审美无功利”论,试图建构一种与日常生活相融合的新型美学形态——“生活美学”。该美学形态是一种基于中国传统丰富的艺术化生活经验与人生哲学智慧的本土化理论建构,具有鲜明的现实指向和具体的人生关怀,为中国美学的未来发展探索了一条可行性路径。
The paradigm of writing traditional art history centered on the West is more and more difficult to adapt to the reality of the global integration of culture and the arts today and is bound to be replaced by the more extensive “art history of the world.” Liu Yuedi’s new book, “The World Is Flat and Beautiful,” attempts to carry out contemporary construction of “art history” with a global perspective. At the same time, based on the current aesthetic life and the aesthetic daily life The global social and cultural landscape, abandoning the increasingly failing Kant ’s theory of “aesthetic non - utilitarianism” and trying to construct a new aesthetic form that integrates with daily life - “life aesthetics ”. This aesthetic form is a localization theory based on Chinese traditional rich artistic life experience and life philosophy wisdom, has a clear realistic orientation and specific life concern, and explores a feasible path for the future development of Chinese aesthetics.