本文通过对二十年间重要文本批评实践著作的考察和梳理,总结和论述了中国女性主义文学批评实践所呈现的三个总体特点,即阅读的反抗性、批评的建构性和方法的多样性;并试图以此证明,虽然女性主义文学批评作为舶来方法,其存在状态和所起作用与西方有很多迥异之处,但批评家们在文本实践过程中对这一批评所做的创造性运用,及其形成的特性和具有的意义都在告诉我们其在中国存在的确凿性和合法性。 This article summarizes and expounds the three general features of the practice of Chinese feminist literary criticism through the investigation and combing of important literary criticisms in the past two decades, that is, the resistance of reading, the construction of criticism and the diversity of methods. And try to prove that although feminist literary criticism as the way to ship, its existence and role played by the West are many differences, but critics in the practice of text in the creative use of this criticism, and Its forming characteristics and meanings all tell us about its existence and legitimacy in China.