一、相关理论概述(一)写意画的概念写意画在元代时候就已经有了定义,指表露心意的一种国画画法,画主要以精练之笔勾勒物以神意。在明代的时候,写意画是参照书法进行描述的,写意画在画的时候可以不着色,妙处不在颜色,且也可以很巧妙,不可以有点的点缀,涉及丝毫的闺阁气。那么现代人对写意画的定义主要是,写意画俗名为粗笔,在中国画中属于级放派的一类画法,与工笔对称。它要求通过精练的笔墨画出物象的形神,来表达作者的一种意向。传统的中国画 First, the related theory overview (a) the concept of freehand painting Freehand drawing in the Yuan Dynasty when there already has been defined, refers to a kind of Chinese painting method showing the heart of the mind, the main draw in order to sketch the essence of God. In the Ming Dynasty, freehand brushwork was described with reference to calligraphy. Freehand brushwork could be painted without painting, and its beauty was not in color. It could also be subtle and could not be embellished with a touch of glamor. So the definition of freehand painting by modern people is mainly that freehand brushwork is commonly called a rough brush and belongs to a class of painting genre in classics in Chinese painting, which is symmetrical with fine brushwork. It requires the artist’s intention to be expressed through the conciseness of the pen and ink. Traditional Chinese painting