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当代俄罗斯“新戏剧”作家对戏剧传统与经典剧目发起挑战,运用后现代手段进行戏剧革新实验。阿库宁根据契诃夫名剧改编的剧作《海鸥》恰好体现这一戏剧革新潮流,称为“全部新文学的宣言”。剧作家运用“互文”、“解构”和“非线性情节”等后现代主义策略以及侦探小说的写作技法,充分显示戏剧的假定性特征,塑造言行夸张、内心孤独的戏剧人物。因此,阿库宁的《海鸥》是契诃夫《海鸥》在后现代主义文学棱镜中映照出的失真的影像。
Contemporary Russian “New Dramas” writers challenge the traditional drama and the classic dramas, and use the postmodern means to carry on the experiment of dramatic innovation. Akunin according to Chekhov play adapted the play “Seagull” just reflects the trend of dramatic innovation, known as the “Declaration of All New Literature.” The dramatists use postmodernist strategies such as Intertext, Deconstruction, and Nonlinear Epistemology, as well as the writing techniques of detective novels, to fully demonstrate the presumptive features of drama and to create an exaggerated speech and loneliness Drama characters. Therefore, Akunin’s “Seagull” is a distorted image of Chekhov “Seagull” reflected in the prism of postmodernism literature.