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英国当代著名女作家安吉拉·卡特的童话改写颠覆了西方经典的童话故事,如《小红帽》、《美女与野兽》、《蓝胡子》等。本文聚焦于两个在卡特作品中多次出现的母题:血与镜。通过各种血的意象,女性人物发现了被压抑的自我意识和性意识,拒绝传统童话中对女性的压抑和泯灭;通过镜子的母题,女性人物与野兽认同,逃离父权制社会,拒绝成为他者或男性交易的商品。卡特挑战了传统童话中父权意识形态对女性的道德说教,重构了属于女性的故事结局,发出了属于她们自己的声音。
The famous British contemporary writer Angela Carter’s fairy tale rewrites subvert the classic Western fairy tales, such as “Little Red Riding Hood”, “Beauty and the Beast”, “Blue Beard” and so on. This article focuses on two mothers that appear many times in Carter’s work: Blood and Mirrors. Through various images of blood, the female characters found suppressed self-consciousness and sexual consciousness, refusing the repression and vanquishing of women in the traditional fairy tales. They rejected the patriarchal society through the motif of the mirror, Or male traded goods. Carter challenged the traditional moral fairy tale patriarchal ideology of women’s moral education, reconstruction of the ending of the story of women, sent their own voice.