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本文拟重点考察吴昌硕印学思想之“自然观”的三个方面:其一是“自然”的艺术理念;其二是“自然”的审美理想;其三是“自然”的治印手法。由此我们发现,吴昌硕篆刻艺术中所流露的朴拙浑穆的自然气息,并非是率意而为,而是在反对矫揉造作的同时匠心别具,故而是一种相对的自然。
This thesis intends to examine three aspects of Wu Changshuo’s thoughts of “nature”: one is the artistic idea of “nature”; the other is the aesthetic ideal of “nature”; the other is “nature ”The Indian practices. From this, we find that the simple and mute natural atmosphere in the art of Wu Changshuo carving is not a matter of being intentional, but rather an object of opposite meanness while opposing artificial creation. Therefore, it is a kind of relative nature.